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Reviews
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KMD
Black Bastards 04/00 3 |
The unreleased Elektra album. KMD had been recording under Elektra Records in the early nineties releasing the classic "Mr. Hood" in 1991. That album included many gems ("Nitty Gritty" w/ Brand Nubian, "808 Man", and "Who Me?"). They were riding high on the black awareness phase of that era when they were to release their sophmore album. "Black Bastards" was to be released in 1994, but the label decided that the album cover was too controversial. KMD stood their ground and got out of their contract. This album was recorded near the end of the "golden age" in hip hop (circa 1994) so the samples are used in abundance. Standout cuts include: the title track, Smokin That Sh*t, Sweet Premium Wine, and others. If you liked Mr. Hood (which I did), you'll dig this album. One of the more creative, positive hip hop albums in a long time. This album still holds its own against some of today's hip hop releases... |
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Society of Soul
Brainchild Summer/99 4.5 |
Organized Noize Productions has been laying tracks for everybody and their mamas. With Brainchild, they produce a masterpiece for themselves. They've put together a solid piece of work with gospel-like tunes and soulful, funky instrumentation. "It Only Gets Better" is one of those songs that lifts your spirits and truly makes you feel that everything is gonna be alright. The tiltle track, "Brainchild" , is spoken word with a funky back drop. You'll never hear this on the radio. This is strictly for true music lovers, redemtions songs for the matured hip hop set. "Right Tonight" is a funky party song that will bring a smile to your face every time you hear it. This is one of those albums that you can just let play over and over again. It has something on there for everybody. Check out "Peaches and Herb" for the after hours, pool hall vibe. T-Boz of TLC fame even makes a guest appearance on the track "Changes". Pick this album up! |
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Amel Larrieux
Infinite Possibilities Early/00 4 |
Maaaan, I liked Groove Theory. That album was on some new sh*t. Well, I guess all good things must come to an end...or does it? On her debut solo record, Amel continues the tradition of singing soulful melodies with an uplifting message that she started with her former band. The only thing missing from this album is the hard hitting beats from Bryan Wilson (the other half of Groove Theory). It's not necessarily a bad thing, just missed. To compensate, Larrieux steps up the lyrics. She is anti-everything. I don't mean this in a negative way. One listen to "I n I" and you'll understand what I mean. As beautiful as she is, she just wishes folks would recognize the inner beauty. Other joints to check out are "Even If" and "Down". This is one of the CD's you just put in and let it ride. She is one of the "true singers" who doesn't need a computer to help her vocals. Her voice is like silk, smooth and soft. |
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